Kvöldstund með stórbrotnum listamönnum frá New York í Mengi; Ana Luisa Diaz de Cossio á fiðlu og tríóið Trigger, skipað Will Greene á gítar, Simon Hanes á bassa og Aaron Edgcomb á trommur.
Trigger (NYC) er í stuttu stoppi í Reykjavík á leiðinni sinni á Molde Jazz Festival þar sem þau flytja tónverk eftir samstarfsfélaga sinn og vin, John Zorn. Fiðlusólóistinn Ana Luisa Diaz de Cossio leikur einnig fyrir gesti.
Húsið opnar klukkan 19.30
Viðburðurinn hefst klukkan 21:00
Aðgangseyrir 2.500 kr.
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Doors open 19:30 | Tickets 2.500 kr.
Trigger (NYC) will be stopping through Reykajvik to do some improvising on their way to Molde Jazz Festival to present compositions by John Zorn.
Trigger is an avant-garde rock trio comprised of Will Greene (guitar) Simon Hanes (bass) and Aaron Edgcomb (drums). With roots in noise, improvisation, and hardcore, Trigger focuses on intense rhythmic interplay that can shift on a dime to long paced textural development, always driven by a unique unrelenting energy.
Formed in Boston in 2014, Trigger has toured extensively with performances at the Museum of Modern Art PS1, the Philharmonie de Paris, Hamburg's ElbPhilharmonie and a variety of experimental music festivals. Currently based in Brooklyn, NY, Trigger creates music that seeks to challenge listener's preconceptions about pacing, intensity, and identity.
Early in its conception Trigger began a long lasting collaboration with composer John Zorn centered around Zorn's collection of Bagatelles. These are 300 short pieces played by some of the world's most well-known improvisers. Uniquely adaptable to many aesthetics, the Bagatelles serve as jumping off points for spontaneous composition while centering the improvisations around a clear identity. Trigger utilizes its energetic and hyper-virtuosic style to realize one of the fiercest and emotionally scathing interpretations of the pieces.
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Ana Luisa Diaz de Cossio is a violinist and experimental artist, whose work explores social phenomena as well as spontaneity and resonance in space. Through extended techniques, Ana challenges conventional violin playing, exploring the limits of sound within the instrument.
With a keen interest in experimental music, Ana has taken workshops with the Road Ensemble, Collaboratory-Paris as part of Manifesté at IRCAM, and has been part of the Berklee Interdisciplinary Arts Institute, Harvard Chamber Music Festival, Dark Music Days, Time for Music, Next Festival of Emerging Artists among others. She currently holds fellowships from Conacyt-Cultura to finance her studies and bespoken which is a platform for artist-leaders. Ana holds degrees from Universidad Autónoma de Baja California, Boston Conservatory at Berklee and Listaháskoli Íslands.